Grouping three together wasn't just about quantity. One stem reads as elegant on its own, but three side by side start to feel architectural almost like a small skyline, each one slightly different in height and angle. That variation is what gives the piece its energy

The subtle violet-pink shades gradients shift slightly from stem to stem, so even with the same species repeated three times, the piece never feels static or overly matched. It's less a floral arrangement and more a study in structure bold, layered, and full of quiet movement.